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It’s quite likely that Nichols absorbed quite a bit from seeing Barnard playing in person. He also was clearly influenced by Bob Wills’s bluesy jazz guitarist Junior Barnard, who played with Wills in the late 1940s and early 1950s, when Wills was touring and living in California. Nichols’s style was twangy yet jazzy, and he claimed Django Reinhardt as his major influence.
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Many of his great live radio transcriptions are readily available on the Arhoolie label and well worth seeking out. In his short stint with the band, however, he recorded some phenomenal solos that show his influences to range far beyond the country radio hits of the day.
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Nichols’s job with the Maddox Brothers and Rose didn’t last long (he was fired by mother Lula Maddox for sneaking out of his hotel room at night, a strict no-no in the Maddox family code of conduct). Maddox offered the youngster a job and Nichols began what would be a lifelong career in music. After moving to Fresno, California, as a young boy, Nichols took up the guitar and by the age of 16 was proficient enough to play on a local radio show hosted by DJ Barney Lee, where Nichols’s prowess on the strings was heard by Fred Maddox, bass player and leader of the Maddox Brothers and Rose. One of the finest guitar players ever to walk the earth, Roy Ernest Nichols, was born in Chandler, Arizona, in 1932. It is by no means complete, but rather a rough guide to the musicians who supported Merle Haggard from the beginning of his career until he left Capitol Records in 1976. Here we have attempted to list the players who actually toured with the band during the Capitol years as well as important session players. Liner notes for “Meet the Strangers” in Hag: The Capitol Recordings 1968–1976 (Concepts, Live, and the Strangers), Bear Family Records Originally published in 2007Īn extraordinary number of musicians have passed through the ranks of the Strangers through the years.